My last post on this topic revolved around following trends and keeping it unoriginal, using what works. That’s still a working method, but today I want to talk about another way of getting music placements and that’s through the use of a music supervisor. If you don’t know what a music supervisor is, don’t […]
Alright this is long overdue, but finally here. My honest review of Aaron Davidson course “The 90 Day Music Licensing Challenge”. In all honesty I think it’s a great course. I say this because Aaron really digs in and makes sure you understand how music licensing works. He covers mechanical royalties, sync licensing, exclusive vs […]
How many tracks must a demo contain? Is it best to send full songs or snippets? Which yields the best results? Does this sound familiar? If not, that’s ok, it comes from Music Licensing Update #6 .This was an update where I shared my experience with having my demos rejected. While there were a plenty […]
I got an interesting question today from a reader and fan of my music licensing case study. If you’re not familiar with it then you might wanna get familiar, you can find out more about it here. Should I copyright before or after I send music to libraries? Now, I was going answer via […]
I’m a little late updating the results of the 90 Day Music licensing challenge case study. I apologize, I’ve been hit with a few time consuming projects over the last few weeks… I have 1 more update after this before I give my final review then I’ll be updating events and results after the […]