Alright this is long overdue, but finally here. My honest review of Aaron Davidson course “The 90 Day Music Licensing Challenge”. In all honesty I think it’s a great course. I say this because Aaron really digs in and makes sure you understand how music licensing works. He covers mechanical royalties, sync licensing, exclusive vs […]
How many tracks must a demo contain? Is it best to send full songs or snippets? Which yields the best results? Does this sound familiar? If not, that’s ok, it comes from Music Licensing Update #6 .This was an update where I shared my experience with having my demos rejected. While there were a plenty […]
I got an interesting question today from a reader and fan of my music licensing case study. If you’re not familiar with it then you might wanna get familiar, you can find out more about it here. Should I copyright before or after I send music to libraries? Now, I was going answer via […]
I’m a little late updating the results of the 90 Day Music licensing challenge case study. I apologize, I’ve been hit with a few time consuming projects over the last few weeks… I have 1 more update after this before I give my final review then I’ll be updating events and results after the […]
You ever wonder why music libraries refuse to pitch certain genres of music? Not every library of course, but there are those that do. Throughout this licensing course I’ve run into 40+ libraries that wont accept anything outside of Rock, Jazz and Country. Why is this? Why limit potential income? The answer is simple: […]